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Large urban transformations in modern cities in the late nineteenth century to the twentieth century were particularly inspiring for authors from different fields. The city expanded by attaching surrounding areas, making large infrastructural works and promising better conditions hoping to host the major exhibition of the quater-centenary of America's discovery, World's Columbian Exposition This reality is metamorphosed and expanded through the manipulation of the graphic language of comics and its narrative capacity. His experiences and ruptures with tradition make him one of the most important figures of the History of Graphic Arts and Animation Canemaker, ; Sendak, ; McCay, Although they have very different approaches both authors sought to address issues and important social issues through humor. The unrestrained appropriation of space increased its unhealthiness, the housing deficit, public insecurity and poor infrastructure. At the same time charitable entrepreneurs like William Kent and Jane Adams sought, through their own projects, to provide better conditions to the poorest class and consequently to the cities Scott,pp.

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  • Não deixe que as drogas acabem com sua vida e da sua fight and stop at the police station in Praia Grande" "Hollywood executive tries to climb "girl puts cheese in Lip Moisturizer Packaging to eat hidden in class" "Messi of "​Homem de cueca flagra tentativa de roubo e enfrenta suspeitos com marreta".

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    Outcault, Yellow Kid, where the author showed the miserable state in which immigrants lived in the late nineteenth and early twentieth century, describing very plausibly the state of social segregation in cities ghettos and shantytowns in the center of large cities.

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    At the pages of September ofNemo, is a giant in the middle of a city composed by tall buildings reminiscent of New York. O autor procura representar principalmente o medo da complexidade e da falta de controlo do ritmo urbano.

    Segundo Ecop. Comics and the city. The unrestrained appropriation of space increased its unhealthiness, the housing deficit, public insecurity and poor infrastructure.

    These representations exploit the reorganization and the juxtaposition of architectural elements creating new spaces, with a fantastic image, of strong character and grandeur Franco,p.

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    This reality is metamorphosed and expanded through the manipulation of the graphic language of comics and its narrative capacity. Signs, 5, pp. The concept of metaphor according to the philosophers C.

    Muraktama Lemos e Yuri Riccaldone. Is he himself a Radical Modern to question the zeitgeist and the development of modern cities through his graphic experiences and reflections present on his work Little Nemo in Slumberland?

    João Pessoa: Marca de Fantasia.

    their own projects, to provide better conditions to the poorest class and consequently to the cities (Scott,pp​11). Smashed and cheesy means you can't go wrong Receitas De Sopa De Carne, Fantasias Gregas, Deusa Afrodite, Divindades, Deusas, Fantasia De Deusa.

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    The encyclopedia of Chicago. The creation of avenues with direct communication and unobstructed views were clear intensions of the City Beautiful movement.

    In the story, Little Nemo is approached by a commissioner of King Morpheus who wants to show him the right way to get to the Kingdom of Dreams. Acesso em: 27 Nov. After the Industrial Revolution, comes an impressive demographic growth of cities.

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    Da Silva, R. There is a direct connection between the use of the language of comics with the message to be transmitted to the public in an attempt to metalanguage.

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    Utopian and wonderful these cities act as an alternate universe.

    New York: Abbeville. The city of Chicago became an example.

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    Muraktama Lemos e Yuri Riccaldone. According to Quiringp. The encyclopedia of Chicago. In this period the representation of the city was particularly intense: studies and ambitious projects emerged as reformers of issues associated with urban problems of that time.