Sony dxc 325 specs san antonio

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Knoop found the Sony to be an adequate tool for the project, and praised its light sensitivity, colorimetry and shadow detail. Originally, Knoop wished to shoot 16mm, and in fact had prepared the two-month shoot with this in mind, but this proved to be logistically impossible. Current Explore All Issues. The network spokesman touched on an important cost advantage in insuring equipment and in replacing gear when stolen or damaged in hostile territory or inclement weather. Many documentary makers have enjoyed success with the regular 8mm format, but the introduction of Hi8 has improved image quality by leaps and bounds, due in large part to advances in metallic 8mm tape. In post production, since no 8mm editing equipment was then available, the footage for Maria's Story was bumped up to Betacam SP format and to VHS window dubs for off-line editing. There are other legitimate reasons one might prefer Hi8 to Betacam, image quality notwithstanding. Their performance would have been unthinkable just five years ago: the DXC, lines with a 58dB signal-to-noise ratio; the DXC-lines, 60 dBs and f5.

  • 8mm Video Goes to War International Documentary Association

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    October 12, Knoop found the Sony to be an adequate tool for the project, and praised its light sensitivity, colorimetry and shadow detail. NBC, which normally would use Panasonic MII equipment, said that low weight was one advantage considered in choosing Hi8 cameras, but that "asset risk" was also an issue.

    Inside Out: Nadia Hallgren. Their performance would have been unthinkable just five years ago: the DXC, lines with a 58dB signal-to-noise ratio; the DXC-lines, 60 dBs and f5.

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    The use of a transflective coating keeps the LCD from washing out in bright sunlight.

    August 31, Like the larger series, it could be adequately steadied on a knee or shoulder; all shooting for Maria's Story was hand-held. That overrode all other issues—gathering the material, portability, flexibility, and relatively favorable performance," says Knoop.

    In February, U. NBC, which normally would use Panasonic MII equipment, said that low weight was one advantage considered in choosing Hi8 cameras, but that "asset risk" was also an issue.

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    There are other legitimate reasons one might prefer Hi8 to Betacam, image quality notwithstanding. In post production, since no 8mm editing equipment was then available, the footage for Maria's Story was bumped up to Betacam SP format and to VHS window dubs for off-line editing. NBC, which normally would use Panasonic MII equipment, said that low weight was one advantage considered in choosing Hi8 cameras, but that "asset risk" was also an issue.

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    What Constitutes a Doc? In seeing it for the first time projected onto a large screen, the fact that it had been generated on 8mm video was simply not an issue.

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    August 31, Later, at Image Transform, a Los Angeles facility that specializes in such operations, the edited master was transferred to 16mm film for distribution in that format.

    Originally, Knoop wished to shoot 16mm, and in fact had prepared the two-month shoot with this in mind, but this proved to be logistically impossible.

    Features Online Features Columns Topics. John Knoop, documentary filmmaker and cameraman, is a reminder that 8mm has a significant and legitimate history of field testing already.

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